Meanwhile, Miley Cyrus’ career reboot was shepherded in large part by renowned Atlanta hip-hop hitmaker Mike Will Made-It, and Justin Timberlake’s 20/20 Experience again brought back longtime collaborator Timbaland as his behind-the-scenes creative partner. 1 hits ( “Thrift Shop” and “Can’t Hold Us,” respectively). (on “Lines”) and funk legend Nile Rodgers (on “Lucky”) - while a pair of Seattle soul men, Wanz and Ray Dalton, each guested on one of Macklemore & Ryan Lewis’ two No. 2-peaking “Get Lucky” - which also featured guest appearances from star rapper T.I. Rihanna sang the chorus to Eminem’s “The Monster,” the Hot 100-topping unofficial sequel to their similarly successful 2010 collab “Love the Way You Lie.” Pharrell Williams was a featured artist on both Robin Thicke’s chart-topping “Blurred Lines” and Daft Punk’s No. Which isn’t to say that black artists weren’t involved in any of them. 1 singles on the Hot 100 that year - a disquieting trend emerged: None of them were about black artists.Ģ010: Turbo-Pop Ruled the Radio | 2011: Adele Revived the Music Industry | 2012: EDM Infiltrated Everything | 2013: Streaming Became Unignorable | 2015: 2015 Was the Year That… Canadians Ran Pop Music | 2016: Every Major Album Release Was an Event | 2017: Latin Pop Took Over the U.S. | 2018: Hip-Hop Took Its Victory Lap 2019: Lil Nas X’s ‘Old Town Road’ Put a Bow on the Decade It was the year of “Blurred Lines.” It was the year of “Harlem Shake.” It was a lot for one year.īut as interesting and fun as most of those stories were, if you zoomed out on them - and indeed, on the entire list of No. It was the year that multimedia star Justin Timberlake and EDM progenitors Daft Punk made massive, long-awaited comebacks. It was the year that former Disney teen-pop star Miley Cyrus reinvented herself as a genre-blending pop renegade, swinging into the Top 40 world like a certain demolition device. 1 on the Hot 100 with the minimalist pop fantasy “Royals.” It was the year that Macklemore & Ryan Lewis, a throwback hip-hop duo from Seattle, turned a local following into a national movement with a pair of ubiquitous pop-rap smashes. It was the year a prodigious 16-year-old singer-songwriter from New Zealand named Lorde crossed over from the alternative world all the way to No. Pop music made for a year of fascinating stories in 2013, particularly at the very top of the charts. Below, we continue with 2014, a year that saw discussions about the role of race in popular music impact the conversations around many of the biggest artists. To recap the decade that was, Billboard is looking at one major theme from each year and explaining how it dominated that 12-month period.
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